The Cleveland HealthLine at 11 PM — Euclid Ave east through a half-empty city, the electric hum of a BRT that doesn't need to announce itself, watching what the window shows and what it's not.
The HealthLine runs Euclid Ave after eleven and the car is almost empty. There's an electric quiet to it — not the underground-tunnel kind, more like the hum of something that doesn't need to announce itself. Outside: glass towers with a few floors still lit, a pharmacy sign glowing behind closed doors, the wide-lane geometry of an avenue rebuilt for a city that didn't quite materialize. Cleveland at night has a specific texture, dry and alert, like you're passing through rooms in a house where the furniture used to be arranged differently.
The song is a ride from downtown east through Cedar-Fairmount and back, told by someone who stays on past their stop, watching. At East 105th a hooded figure steps off onto an amber platform and is gone before you can register a face. Terminal Tower holds its position in the far distance. The chorus doesn't grieve — it just counts: the city held twice as many people once, when the mills were running. The narrator is not here to eulogize anything. Just watching the window do what windows do.
[Verse 1]
Euclid Ave at eleven PM
the HealthLine hums on its wire
past the Cleveland Trust rotunda dark
past the pharmacy with its one light on inside
a man with his hood up at East 105th
steps off before I see his face
the platform empty in the amber, then gone—
the door sighs shut, we accelerate
[Chorus]
This city held twice as many
back when the mills were still white-hot
I'm not mourning anything, just counting
what the window shows and what it's not
[Verse 2]
Terminal Tower in the far distance
a spike above the residue of dark
the LED flicker on the ceiling
makes the car feel like a fish tank after dark
nobody boards at Cedar-Fairmount
the conductor's voice says nothing at all
just the electric quiet underneath us
and the avenue going wall to wall
[Bridge]
I read the ads for urgent care
for check-cashing, for God
somebody taped a handwritten number
under the bench I can't make out
[Verse 3]
East end of the line, the turn-back loops
I stay put past the point I should
the driver watches me in the mirror
I think I'm fine, I think it's understood
the closed storefronts, the wide-lane geometry
the city built for twice what showed
I ride it back to Public Square in silence
watching the window do what windows do
[Outro]
the window do what windows do
the window do what windows do
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